Codename Section
10-14-2014, 07:45 PM
Interesting article but these quotes caught my eye:
http://vigilantcitizen.com/moviesandtv/deeper-meaning-true-detective-season-one/
In the 1940s, the French poet and theater director Antonin Artaud predicted the advent of occult mega-rituals in media. Artaud was an adept of several forms of occultism and well-aware of the transformative powers of theatrical rituals: he created the infamous “Theater of Cruelty” that intended to profoundly change the audience. Regarding the processing of the Group Mind, Artaud wrote:
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“Aside from the trifling witchcraft of country sorcerers, there are tricks of global hoodoo in which all alerted consciousnesses participate periodically … That is how strange forces are aroused and transported to the astral vault, to the dark dome which is composed above all of … the poisonous aggressiveness of the evil minds of most people … the formidable tentacular oppression of a kind of civic magic which will soon appear undisguised.”
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Occult researchers have often identified ritualistic murders as mass-rituals meant to shock the masses and disturb the psychosphere.
.“[Some murders] are ritual murders involving a cult protected by the U.S. government and the corporate media, with strong ties to the police.
Such killings are actually intricately choreographed ceremonies; performed first on a very intimate and secret scale, among the initiates themselves in order to program them, then on a grand scale, amplified incalculably by the electronic media.
In the end what we have is a highly symbolic, ritual working broadcast to millions of people, a Satanic inversion; a Black mass, where the “pews” are filled by the entire nation and through which humanity is brutalized and debased in this, the ‘Nigredo’ phase of the alchemical process.
– Michael A. Hoffman II, Secret Societies and Psychological Warfare
http://vigilantcitizen.com/moviesandtv/deeper-meaning-true-detective-season-one/
In the 1940s, the French poet and theater director Antonin Artaud predicted the advent of occult mega-rituals in media. Artaud was an adept of several forms of occultism and well-aware of the transformative powers of theatrical rituals: he created the infamous “Theater of Cruelty” that intended to profoundly change the audience. Regarding the processing of the Group Mind, Artaud wrote:
.
“Aside from the trifling witchcraft of country sorcerers, there are tricks of global hoodoo in which all alerted consciousnesses participate periodically … That is how strange forces are aroused and transported to the astral vault, to the dark dome which is composed above all of … the poisonous aggressiveness of the evil minds of most people … the formidable tentacular oppression of a kind of civic magic which will soon appear undisguised.”
.
Occult researchers have often identified ritualistic murders as mass-rituals meant to shock the masses and disturb the psychosphere.
.“[Some murders] are ritual murders involving a cult protected by the U.S. government and the corporate media, with strong ties to the police.
Such killings are actually intricately choreographed ceremonies; performed first on a very intimate and secret scale, among the initiates themselves in order to program them, then on a grand scale, amplified incalculably by the electronic media.
In the end what we have is a highly symbolic, ritual working broadcast to millions of people, a Satanic inversion; a Black mass, where the “pews” are filled by the entire nation and through which humanity is brutalized and debased in this, the ‘Nigredo’ phase of the alchemical process.
– Michael A. Hoffman II, Secret Societies and Psychological Warfare