The story of amusement parks is the story of America...
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When fairgoers entered the 1893 World’s Columbian Exposition in Chicago, they were dazzled by the White City, a sprawling collection of massive exhibit buildings dedicated to manufacturing, transportation, electricity, and other themes that captured the imagination of a country on the move. Boasting a mixture of architectural influences, the gleaming, almost regal structures were assembled around a large reflecting pond festooned with Corinthian and Ionic columns as well as golden and white allegorical statuary.
It was a giddy time in America as the young, growing country was establishing its prominence, and the fair was its coming-out party. The White City, so named for the alabaster substance made of gypsum and other materials that covered the buildings, was a celebration of progress and a brash ode to capitalism. It reinforced the sense of hope and promise — the swagger even — that Americans carried. Visitors were overcome by the scale, spectacle, and opulence of the buildings and grounds as well as the bustle and merriment of its midway and amusements.
Toward the end of the expo’s five-month run, though, keen-eyed observers noticed something amiss with the exhibit halls: Their exteriors were starting to crumble. The buildings’ plaster-like coating was never meant to last. It was a cheap facade that could easily and quickly be formed into virtually anything. It was an illusion, emotionally charged but ephemeral. The fair presented an inspiring vision of a utopian city built on American ingenuity but not one that was built to last or that considered urban reality. The Columbian Exposition, like the amusement parks and theme parks it inspired, was about the America for which its people longed, not necessarily the America they encountered. It was about the American stories they told themselves — tales of reassurance and a brighter tomorrow, even if some of the tales were illusory and fragile.
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https://www.vox.com/the-highlight/22...y-coney-island